You have raw instrument sounds that are jumping off points and then five high quality effect sections (EQ, Pre FX, Amp Drive, Mod FX, Reverb/Delay) at the turn of a knob.ĪnotherScott spelled it out pretty well with his description of the clavinet presets. There's obviously strengths to having a 500 voice swiss army knife with canned effects built into the instruments, but there's something totally different and rewarding about the SV instrument interface. Pawelsz, the GS and SV are very different approaches to keyboards.
Come on, Korg! Not everyone wants to buy heavy, bulky Kronos! you can even set expression min/max value independently. Dear Korg, look at Yamaha new CP73/88 and YC61 ! Every of them can be even a masterkeyboard!! And all switchable: expression/modulation/pitchbend range etc for internal and external zones. This is very strange to make such limits in boards like this. At least SV-2 gives the possibility of independent Expression and Damper Rx enabling or disabling for all layers, whereas in Grandstage switching off expression for one part switches off also modulation and SW1 SW2 buttons (Other controls grouped together). (Remember that with only 64 savable locations, you're not going to be able to create tons of splits for individual songs in a large repertoire anyway.) Grandstage may be a little more split-friendly, between the separate effects and the fact that you can implement the splits on the board itself (albeit limiting you to 2 rather than 3 sounds), but if I were really split-focussed in my usage, I don't think either of these boards would be among my top choices. My personal take on the SV2 is that it is still primarily designed for being a great one-sound-at-a-time instrument, not really geared to people who do tons of split work, but it's great that they gave you the facilities to be able to create some splits for the occasional times you may really need them.
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